What you need to know: At only 19, Dezil brought Dwayne McDuffie’s creation to life. It is surprising the Static Shock Blackout only has about 200,000 views. The cinematography is great and the acting top notch. Check out more of Dezil’s work on his YouTube channel.
A British inventor says his Babel bike is the safest bicycle ever produced. Crispin Sinclair — son of famous British inventor Sir Clive Sinclair — hopes the bike’s safety cage, double seatbelt, and host of other measures will inspire non-cyclists to get in the saddle. Jim Drury went to see it in action.
On a sunny Southern California Saturday, 23-year-old Kenneth Chancey donned a cap and gown and was handed his degree as he crossed the Loyola Marymount University stage.
But the road to get there wasn’t as picture-perfect.
When he was 11, Chancey lived on the streets. When he was 14 and 15, and transitioning out of foster care, he says he was forced to sleep on Los Angeles city buses.
“That was my lowest point, not having anywhere to go. And just saying, we’re sleeping on the bus,” Chancey said.
It appears we are living in a Golden Age for indie comics. Never has there been a better or easier time to write, create, print and sell comics as an independent creator and publisher. For independent publishers, setting yourself apart from the pack is crucial. Eric Dean Seaton, television director, creator and independent publisher of the graphic novel series, “Legend of the Mantamaji,” decided to use his “day job” experience [as an episodic director of hit shows like NBC’s Undateable, Disney’s That’s So Raven, and Nickelodeon’s The Thundermans and Bella and the Bulldogs] to create a live action short based on the first book in the Legend of the Mantamaji series.
“As an independent with a new superhero, you encounter some pretty big obstacles,” Seaton said. “You have to dispel some long held misconceptions people have about independently published comics – that they don’t have longevity, that they are inconsistently produced, hard to find or not well made. Then, you have to establish your characters and the rules of your world in a way that’s interesting and to the point. I say this all the time – when Superman first came out he couldn’t fly, there was no Lex Luthor or Kryptonite.That first Superman would never make it in the comics now, it took years of great writers to develop him into the hero the world knows today. Now, you have to rich content and highly developed characters with all their powers right from the start. That’s one of the reasons why we did the short. You get to see what the Mantamaji can do and a good representation of the action and fun in the book in eight minutes.”
In addition to creating the live action short, Seaton launched a web series on May 5th, 2015: “Legend of the Mantamaji: Behind the Scenes.” The web series follows Eric’s production team for three days as he films the live action short. Most episodes of the 12 episode series clock in at a social-media-friendly two minute run time and lead up to the release of the live action short in June. Originally slated for one weekly episode, the series will now show its fans two episodes per week of behind the scenes action.
“The series and the short serve three purposes: first of all, I want them to help promote the books. When you start off in the comics industry, it’s like being a freshman. You have an idea of how things work, but you have to get in there yourself and learn through experience. You aren’t very popular, no one knows who you are and even if the media and fans are interested, they tend to take a wait and see approach in favor of more well known titles and creators,” Seaton said. “Secondly, I wanted to create something live action for the fans of the series to say, ‘thank you’ for the support. They have made this so much fun and have been saying all along they’d love to see it this way,” Seaton said. “And lastly – I was curious. What does it take to bring a graphic novel to life? How will the Mantamaji armor translate from 2D to real life? What about the morphing of his weapons? I’ve been able to combine my two childhood dreams – directing and creating comics – into one and I’m having a great, great time. We’re underdogs, the new kids on the block, but I’ve always loved an underdog.”
Atlanta Black Star has the Exclusive First Look at this week’s episodes in the series. Check them out:
Episode 2:
Episode 3:
Terreece M. Clarke is a freelance writer/journalist for a variety of magazines, newspapers and websites and a rocking’ wife and mother of three. Follow her on Twitter: @terreece!
Our students’ weak test performance is “the beginning of the end of what we thought of as America … that had a priority of leading the world,” Tyson says.
Whether you are talking about a Silicon Valley Roundabout, Fen or Wadi – there is no shortage of countries looking to adorn their mantelpieces with a hi-tech hub.
But in the developing world, and especially in Africa, getting that unique mix of tech and business skills together, not to mention investment, can be a big ask.
David Reid visited Accra, in Ghana to see a school for start-ups with big ambitions.
Kinshasa may have found an answer to its traffic problems – robots. So far the DR Congo’s capital has two 8-foot talking androids directing drivers and pedestrians, and the engineer behind the machines is eyeing the global market.
At this year’s Mobile World Congress in Barcelona, we asked Marques Brownlee why he thinks the Galaxy S6 Edge should have been Samsung’s flagship device — with the regular Galaxy S6 as the accessory.