7 Movies That Surprisingly Started Out as Comics

It’s easy to tell a movie is based on a comic book when people are flying around and wearing spandex, but comics aren’t all about superheroes. The art form encompasses many different genres, and many movies have been adapted that don’t advertise their comic roots. A perfect example is the new movie 2 Guns, which looks like your typical action movie until you read the fine print. Here are comic book movies you might not have known were comic book movies.

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30 Days of Night

Released in 2007, starring Josh Hartnett, Melissa George and Danny Huston, this horror movie about an Alaskan town where vampires attack during a prolonged polar night started as an unproduced film script. It took a detour when it was adapted into a three-issue comic book miniseries in 2002. The comic was so successful that it led to the feature film.

Will Horror Film ‘Matthew 18’ Prove to Be an Intriguing Watch?

Writer, director, and producer Roy Belfrey is at the helm of what’s being called “The Scariest African-American Film… Ever!” titled Matthew 18. Being a nitpicky pessimist for a moment, why can’t it just be the scariest horror film or thriller ever? What makes it the scariest African-American film ever? Aren’t perceptions of what’s scary and what isn’t subjective? You can’t make these blanket, click-bait statements without some thoughtful commentary with your potential audience. Especially considering I haven’t discovered an overflow of colloquiums on African-American horror films. But effectively enough, I suppose the line does capture attention. Here’s the breakdown:

Michelle Jamieson is too smart for faith. She has been raised in the tired traditions of her deeply religious family and is ready to expand her independent thought and stand in her logical, free will. When the opportunity arises for her to separate from her Washington, D.C., home and her Bible-thumping parents, she takes a scholarship for her sought-after medical program at the University of Minnesota in Minneapolis.

Eager to base her beliefs in the proof of science and develop her life decisions on the tangible experience of medicine — where every effect has a root cause and miracles come in the form of prescription slips — she wisps across the country to find her path, her truth. But what she finds supersedes her natural existence – making her mortality vulnerable to the spiritual realm she so comfortably doubted. Michelle stays in a Minneapolis mansion, a family property dating back many generations. She begins to encounter strange and unexplainable occurrences. As she is forced to investigate, what she uncovers is a world of family secrets and unspeakable evils that God himself may not save her from. In whose name will she cry out now?

Judging from the synopsis and suspending my pessimism for a moment, I hope to see a film that’s intriguing as well as complicated. I hope to see Michelle have a layered arc and not some gimmicky, linear mortality tale. Please? Horror is too rich of an artistic space to see opportunities wasted. I’m not enthused by this trailer. But I am hoping to be proven wrong.

Source: graveyardshiftsisters.com

‘Legend of the Mantamaji: Book Two’ — A Book Every Blerd Should Read

It has been said before and it’s worth repeating — it is an AWESOME time to be a nerd — and for Black nerds, we are finally seeing more creators and characters of color push through in the graphic novel/superhero genre both in film and print, conglomerate and indie produced. This week is no exception.

“Legend of the Mantamaji: Book Two” published by And…Action! Entertainment is the second book in television director Eric Dean Seaton’s new graphic novel series. It was set for release on Dec. 10, 2014, “Book Two” brings new characters, lots of action and open-mouth-catch-flies twists.

In this series installment, Seaton has to carry the expectations that readers embraced in the first book in the series — a smart plotline, good pacing, great artwork, layered characters, lots of action and those darn plot twists that got us in the first book. He also has to work hard to avoid the pitfalls that plague the second anything in a planned trilogy. No one enjoys settling into a good second book or movie only to feel like the series was stalling for time until the good stuff happens in the final installment (looking at you Matrix Reloaded).

Fortunately, Seaton and his collaborative team have exceeded expectations with “Book Two.” Part of what makes “Book Two” work is continuity in the team that worked on “Book One.”

Eisner-nominated letterer Deron Bennett brings his talented pen to the piece with consistency and skill.

Artist Brandon Palas continues to produce fantastic work. The action scenes are epic, yet easy to follow and there are panels that you want to pull out simply to admire the work. Palas is also careful to avoid female “same face” that often happens to female characters in the superhero genre. If you listen to Seaton’s numerous interviews to date, he is adamant that the women in the series are every bit as powerful and influential as the men — a powerful declaration of his female characters’ value and purpose — which surely influenced Palas’ art direction.

Colorist Andrew Dalhouse brings Palas’ work to life with brilliant, focused color. There is real depth in his work and deliberation in color choices, from the body armor of the Mantamaji to the intricacies of the splash pages. His long-time experience with the big comic companies is evident and demonstrated throughout the series.

Seaton, of course, is the man behind the entire story that keeps readers engaged from page one. A critically acclaimed television director with 198 episodes and 38 series under his belt including hit shows like NBC’s Undateable, BET’s Reed Between the Lines, Disney’s Austin and Ally and Nickelodeon’s The Haunted Hathaways, Seaton manages to make each chapter of the book feel like both television show episodes and weekly editions of a comic book series. This creates nice stopping points, even though the book compels you to keep reading if you can hold off work, family and everything else for close to 200 pages.

Seaton also keeps the books very clean, with an eye on a wide audience range, he leaves out swearing and excessive violence. The books are listed as being for ages 9 and up.

The Good:

The Story: “The Legend of the Mantamaji” storyline is terrific with well-placed plot twists that keep readers guessing the entire time. Just when you think you have it all figured out, Seaton throws you for a loop. While this second book picks up where the first one left off, you don’t have to read “Book One” ahead of “Book Two,” BUT without “Book One” you miss much of the backstory that marries the ancient African warrior vibe with modern-day resurgence of the Mantamaji very well. It does have the signature middle book cliffhanger, but you never feel like you’ve wasted your time. “Book Two” is definitely not a standalone book in the sense that you can get to the end and be completely satisfied. Readers will want to pre-order “Book Three” for February release.

The Characters: Seaton continues to supply his characters with interesting backstories and opportunities to rise or fall down on the job. He even instills humor as a way to help readers identify with all of his characters, good and bad alike.

We learn more about top cop Sydney who continues to hold her own against the city’s bad guys — in the occasional party dress no less. The social media popular Sanctuants, the sisters to the Mantamaji, reappear as well. And fortunately, we don’t see any butt to the camera fighting action that seems to be the pose du jour for female characters in the superhero genre.

The Action: Most of the action involves the Four Horsemen who are as intimidating as their names. The battles between the four and Elijah spill all over the place — the city, the woods … it’s exhausting and rewarding at the same time as Seaton has been teasing the Horsemen as a part of his social media campaign since before the first book launch. We also get to finally see the rebirth of Sirach, which is both frightening and intense.

The OK:

The Dialogue: As previous reviewers have mentioned, the dialogue can get a bit stilted. Some of it works with specific characters, other times it feels not as natural as you would expect in something that is clearly very modern.

Overall, “Legend of the Mantamaji: Book Two” lives up to the hype and at $14.99 is worth the investment. Unlike many indie works, the series is available in all formats [except braille and audio] and through a variety of sellers including Amazon, Barnes and Noble stores and online, Comixology, iTunes, comic book stores and the “Legend of the Mantamaji” website. Previews of all three books are also available at the “Legend of Mantamaji” website and on Amazon.

Source: Terreece M. Clarke at legendofthemantamaji.com

10 Ways Technology Has Changed the Way We Do Everyday Functions During the Past Decade

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Work

With Internet speeds becoming faster, anyone with a laptop can create a business and sell a service or product. The number of home-based jobs has been on the rise in the last decade because companies have found that to be cheaper and more profitable than having a physical location for all workers.
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Shopping

Events like Black Friday have become less meaningful because the Internet has made shopping easy. From your phone or laptop, you can get anything you want. Many sites like Amazon offer free shipping; so stores seem like they could become a thing of the past.

eBay Buyers Handing Over Thousands for Limited Edition iPod Classics

Many people thought some eBay shoppers were crazy for paying up to $20,000 for limited edition PlayStation 4s that were made to look like the older version, but there are actually some consumers who are forking over thousands to get their hands on actual iPod Classics that were released a decade ago.

Sellers have taken to eBay to get rid of their iPod Classics, but it turns out there is a pool of consumers who truly see one man’s trash as another man’s treasure.

A rare version of the classic iPod sold for $90,000 but the hefty price probably came from the famous autographs on the back rather than the device itself.

The iPod was a factory-sealed UK model of the U2 iPod, which was originally sold back in 2004.

The special edition iPod is black rather than the typical white design and has all four of the U2 members’ autographs engraved into the back of it.

Other U2 edition iPods that are not still factory-sealed are being sold for roughly $4,000 on Amazon although it isn’t clear how responsive buyers have been to the hefty price tag.

While the $90,000 iPod is the most expensive iPod Classic to be sold on eBay, some sellers are looking for much more for the dated device.

One seller placed a $180,000 price tag on his iPod Classic although it hasn’t found a home just yet—and it’s very likely that it won’t find one until the price is significantly reduced.

Buyers who are desperately trying to get their hands on the older iPods need to make sure they are buying it for nostalgia purposes and aren’t concerned about the devices functionality because there is a good chance that the batteries in these classic iPods don’t even work anymore.

Those that do will likely not perform as well as they did back in 2004 and repairing the device would be another challenge of its own.

After the iPod Classic was discontinued, Apple CEO Tim Cook explained that even he “couldn’t get the parts anymore, not anywhere on Earth,” according to Mashable.com.

If the device is still fully functional, however, buyers can expect up to 12 hours of battery life and will have 20 GB of storage.

For those who are still eager to get their hands on an older version of the iPod, Amazon sellers are offering up standard devices for roughly $500 and many users have already left comments claiming to have found even better deals elsewhere on the web.

 

7 Black Celebrities You Many Not Have Known Were Serious Gamers

Once viewed as a phenomena amongst nerds and closet geeks, video games were not always “trending.” But now they’re hot, as evidenced by this list of seven Black celebrity gamers, according to Supercheats and ModVive.

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Samuel L. Jackson

The thing is, like his choices in film and TV, Jackson has played some very targeted and influential roles in video games as a voice actor. Jackson talked about his early game play experiences starting with Pong and moving on to Atari and arcade games like Space Invaders, but admits that today he has total enthusiasm for games like Assassin’s Creed, or really any first-person shooter. While he has a special place in his heart for the GTA series, and an addiction to the Fallout series, he gets a lot of mileage out of his heavy daily play in GTA Online and Call of Duty.

Review: A Fresh Start to ‘Secret Six’ Comic

Gail Simone’s magnum opus returns to shelves this week in the form of a brand new volume. Needless to say, expectations are huge as Simone’s original series won a lot of people over due to her excellent characterization and her ability to provide these villain characters with sympathetic backgrounds that made them seem almost heroic. The team frequently saw new members join as old members either died horribly, quit through means of betrayal, or both. With a team populated by villains, this shouldn’t have been much of a surprise, but somehow Simone always managed to shock audiences with every turn of events.

Because DC doesn’t like us to have nice things, sadly the new series isn’t a continuation but a fresh start. Issue 1 see’s Catman, who originally had a very prominent role in the first incarnation of the series, is front and center of this issue as we find out what this New 52 (at what point do we stop calling it new?) incarnation of Catman is capable of. Unfortunately the pacing of this book makes it hard for readers to get a closer examination of the characters outside of Catman. Although characters do make minuscule first impressions, it fails in comparison to the attention given to Catman. Admittingly, this is a good first issue, but it may leave little to be desired by hardcore fans of the series as it left a bittersweet taste in my mouth. While some of these characters are new to this series, plus the modifications made to the returning characters, the core of what Secret Six was can definitely be could definitely be felt, and fans of the previous volume should be willing to give this iteration a fair shot.

Source: Tajaye Williams at blacknerdproblems.com

Could This Be the ‘Final Fantasy 7’ Remake All the Fans Want?

Oh Square Enix, what have you done?

For years and years, Final Fantasy fans have been hoping and praying for a full-fleshed, updated, super high-end Final Fantasy 7 game for the next gen systems. It didn’t happen on the PS3, so like with Kingdom Hearts 3 expectations arose for it to finally happen on the PS4.

Whether you like Final Fantasy 7 or think it’s the most overrated of all the Final Fantasies, there’s one thing you can’t deny, it’s popularity. Final Fantasy 7 has transcended its original single-game format and has had movies and a prequel game expanding on its lore.

So here we are in 2014 with Square Enix hyped up about a Final Fantasy 7 announcement for the PS4! Could it be what fans have been clamoring for all these years? No, the answer is no. Instead of an HD remake with new everything, what fans get is a port of the game for the PS4. If you don’t know what that means, I’ll explain. Instead of HD graphics and high-definition they’re instead re-releasing the original game on the PS4, which they’ve already done for PC and for the PS3 on the Playstation Network.

There’s already been a lot of backlash for this, so instead of adding to it, I’m going to go a different route with this.

The fact of the matter is that Square Enix fans want to feel like they are appreciated and loved. A remake of Final Fantasy 7 would have solidified that fact. Giving the fans something they’ve asked for would put Square Enix back on that pedestal they used to be on. The recent Final Fantasy games haven’t been able to capture the magic that the old ones used to bring. That sense of “Wow this game is the best game of all time!” hasn’t been said for the recent Final Fantasies, and I think fans are trying to relive the Square Enix of old.

Maybe I’m wrong in my assumptions, but I’m speaking from my personal point of view on the whole situation. Final Fantasy 7 isn’t my favorite Final Fantasy but would I throw my money at Square Enix for a full-on HD remake? I’ll answer my question with another question. Is Rock Lee the realest ninja out there?

Someday, we might get that remake that other fans and I have asked for, but, sadly, today is not that day.

Source: William Young at blacknerdproblems.com

10 Things You May Not Have Known About the Fearless Comic Character Storm

The X-Men are incredibly popular, and one of the most popular superheroes on the team is Storm, whose real name is Ororo Munroe. She’s been a fixture in the X-Men team and transcended the comic into cartoons, video games and movies. She has her own ongoing series, but it’s in danger of being canceled after only five issues. So, to help raise awareness, here are some cool facts you probably didn’t know about everyone’s favorite Black female superhero. This list is courtesy of Maurice and Nigel from thegeektwins.com

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Storm Was Originally Supposed to Be a Man

Back in the 1970s, Marvel editor Roy Thomas was trying to develop an international team of mutants to appeal to foreign markets. Originally, the Black female of the team was supposed to be called “Black Cat,” who could turn into a humanoid cat. She had a similar costume as Storm but without the cape and a “cat-like haircut with tufts for ears.” Unfortunately, artist Dave Cockrum discovered several other female cat characters had been developed like Tigra, The Cat and Pantha. The team suggested he use his idea for a male character who could control weather, called “Typhoon,” and turn him into a woman.

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Storm Is the First Black Female Superhero

Storm first appeared in “Giant-Size X-Men #1” (1975), which was written by Len Wein and penciled by Dave Cockrum. She was one of the first Black comic book characters and is the first Black female in mainstream comics.